Theatre comparison on 2 videos Essay Example | Topics and Well Written Essays - 1000 words

Theatre comparison on 2 videos - Essay ExampleIn Arthur Millers Death of A Salesman, Willy, the main character, visits his boss, Howard, a man who happens to be the son of his prior boss. The scene radiates realism through the actors reaction of one another. It begins with Howard when he shows off his wire record-keeper Didnt you ever see one of these? Wire recorder and Willy asks, Oh. Can we talk a minute? notwithstanding Howard ignores him Records things. Just got delivery yesterday. Been driving me crazy, the nearly terrific machine I ever saw in my life. I was up all night with it (Miller.2.76). Howard is speaking animatedly. The gait of his delivery is quick and nip as he is bursting with excitement, eager to explain every detail to Willy despite Willys need to talk to him about a business matter. In response, Willys tone is soft and submissive. When he supports the other actor, he is either ignored or shushed sternly like a child (Miller.2.77-78). The pace and tone of from e ach one actor stems from a direct reaction to one another, thus implementing naturalism in the scene. Similarly in Blood Knot by Athol Fugard, Zachariah and Morris, half-brothers living in concert in South Africa, are brought to life through the actors interchange of dialogue through delivery. When they face each other discussing an imaginary woman in grey, their pace is prompt and heated. It sets up the notion that the characters are different from one another when Morris takes the lead on describing the imaginary scene in the park and Zachariah reacts without hesitation (Fugard.2347-2445). Zachariah supports Morriss exhilarant play through a deep, monotone voice. This exchange on a verbal level creates realism because the scene is natural. Natural as defined by occurring in conformity with the ordinary course of nature not marvelous or supernatural. Side-by-side, the plays incorporate the technique of tone and rhythm of delivery of text on different heights. Howards swift pace of delivery exudes selfishness and pride. Later, it even displays boredom or disinterest when he addresses Willy But where am I going to tramp you, kid?...No, but its a business, kid, and everybodys gotta pull his own weight (Miller.2.80). However, Morriss delivered exuberance shows impatient yearning, frustration and anger. He leans forward on the stage, directing his umbrella like an extension of his body then proceeds to stone the imaginary woman with pent up animation (Fugard.2403-2447). Immediately following, Morris crush his brother, making it a bizarre, but realistic twist because the previous dialogue set up the nature of the action through tone. There is similarity amid the plays that transpire from delivery of pitch. Willy and Zachariah are treated inferior by their counterparts, and they respond through dialect. Zachariah is a black man who has endured prejudice and hate (Blood Knot, par. 3), but his brother fails to understand Zachs struggle. During their role-playing, Zachariah commits to a slow pace that conveys eeriness. His tone is deliberately calm to show indifference, mirroring the state in which Morris treats him. There is no discernment in the actors tone. Willy counteracts his opposer through rhythm and delivery as well. He pleads his case, but the desperation holds more weight during his lengthy speech (Miller.5452-5643) because the pace is crawling. The actor pauses throughout, which drives the point that Willy is a depressed, forlorn man at the end of his